The independent audio describer is dead: Long live audio description!

Keywords: media accessibility, audio description, visual impairment, blindness, describer

Abstract

Traditional audio description (AD) is giving way to integrated audio description in which media accessibility is no longer an add-on but built in from the start in collaboration with the artistic team. As directors and producers take a greater interest in making their work accessible to audience members with a sensory impairment, how are the power dynamics altered between the stakeholders? The idea of abusive forms of translation advanced by Lewis (1985) and Nornes (1999) is reconsidered, together with the sanctity of the source text (ST). Also assessed is the impact on the role and hence the training needs of the professional audio describer. Using data from research projects developed by Extant, the UK’s leading professional performing arts company of visually impaired people, and from the European research project ADLAB PRO, this paper concludes that a describer’s skills and competences are still required even with the evolution of integrated AD.

Author Biography

Louise Fryer, University College London

Was the BBC’s describer for the pilot TV Audio Description Service (AUDETEL), the accessibility advisor for the film Notes on Blindness (2016) and helps develop integrated access for film and live performance. She describes for the UK’s National Theatre and VocalEyes. She is a Senior Teaching Fellow at University College, London (UCL) and wrote An Introduction to Audio Description: A Practical Guide (2016) London: Routledge. Through her company, Utopian Voices Ltd. she is a partner in ADLAB PRO.

Published
2018-11-14